Md. Al Amin
Shakespeare is
admirable for his humanity. He loves human beings and has an infinite feelings of
sympathy for his creations. He is not rapid satirist like his contemporary Ben
Johnson. Shakespeare’s greatness lies in his sympathy for human beings. His
language and style impress us most. At last, we can say that in the realm of
English Drama, Shakespeare is surely without a peer.
In fine, we can say that this age was a glorious period. It is like sunrise after a long period of darkness. In the words of Milton “We suddenly see England, a noble and puissant nation, rousing herself like a strong man after sleep and shaking her invincible locks.” It was a glorious in which men of genius like Shakespeare, Spenser, Bacon and Marlowe could make their marks. The Elizabethan literature becomes very pregnant for the impact of Renaissance.
The Renaissance is a French word which means re-birth, revival or re-awakening. The
Renaissance was both a revival of ancient classical mythology, literature and
culture as well as a re-awakening of the human mind, after the long sleep of
the dark Middle Ages, to the wonder, the glory and the beauty of the human body
and the world of nature. “It was a re-discovery by mankind of himself and of
the world.” In the words of the M.H. Abrahams Renaissance is “the birth of
the modern world out of the ashes of the dark ages.” Renaissance began with the
fall of the Constantinople in 1453.
Mohamad-II, the sultan of the Ottoman Turks and a crusader defeated the Christians in 1453 and occupied Constantinople. It was the capital of Byzantine
Empire and the center of classical learning. The scholars of
ancient learning fled away to Italy
and different other countries with their books and knowledge. They tried to
spread their knowledge there. This revival of the classical knowledge is called
Renaissance. Its salient features are– curiosity about more knowledge, desire
for unlimited wealth and power, love of adventures, own country, beauty,
humanism and the past.
It was a period of great enlightenment in the life of
humanity. It was a revival of the trendy of beauty, “the beauty of woman,
the beauty of nature, the beauty of art and literature.” It began in Italy as early as the 14th century
with the works of Petrarch and others and was greatly inspired by the
fall of Constantinople in 1453, by the invention of printing in Germany about
this time. Its influence reached England as late as the last years
of the 15th century and the opening years of the 16th
century. Renaissance is also the supreme Romantic Movement in English
literature of language. It had transformed not only English but also European
life.
The Medieval world was curiously limited and narrow. It was limited spiritually,
intellectually and physically. Geographically it’s bound by the frozen seas, to
the west by the Atlantic; and to the South and East by the Mediterranean.
However, even as early as the 14th century, this limited narrow
world had begun to decay. It was specially so in Italy. In England the
Renaissance influences were aided and strengthened by the wise policies
of Queen Elizabeth. She was herself cultured and refined; she patronized men of
letters and encouraged literary activity. She followed a wise policy of
compromise and religious peace was restored to the country. Similarly, her
political policies resulted both in internal peace and freedom from the fear of
external attack. Literature and art are
peace-time activities, and the policies of the glorious queen did much to
promote art and literature.
Thus both influence of the Renaissance and the
influence of the Queen combined to make the age, “the golden age of
English Literature.” The revival of ancient Greco-Roman culture had a
profound impact on the ideas of life. The ascetic ideal of the middle Ages was
replaced by the new ideal of the enjoyment of life. This new ideal reflects
everywhere in Renaissance literature. The test for life automatically and
naturally found its expression in song. England was transformed into a true
nest of singing birds. Men longed for entertainment and in response to this
demand; there came the drama and the novella. The
drama and the short story are the characteristic modes of expression in the
Elizabethan era.
During the Elizabethan era the Renaissance had made a massive contribution to art, culture and
literature. In drama there has been massive progress or development. There
arrived the host of dramatist including Shakespeare. The literary temper of
Elizabethan England was distinguished by a splendid vitality and vivacity, a
rare catholicity of taste and width of outlook. Prose and Poetry alike rang
with a fervid enthusiasm for life in its most varied aspects. The Elizabethan
was gifted an exceptional power of integration. The matter and manner of
Elizabethan literature owed an enormous debt to foreign influence, but
Elizabethan individuality survived the foreign invasion. Major writers of
this period are: Philip Sidney, Thomas Moore, Edmund Spenser, Thomas Kyd,
Christopher Marlowe, William Shakespeare, Francis Bacon and Ben Johnson etc.
The Elizabethan era saw a great flourishing of
literature especially in the field of drama. William
Shakespeare is considered an Elizabethan dramatist in the broader sense,
although most of his work was produced during the reign of James-I.
Shakespearean comedy is different from other contemporary comedy. Its primary
aim is neither a satire nor a correction of the evils prevalent in our society.
It aims at giving pleasure and joy. Charlton classifies Shakespearean comedy
into four categories– (1) Romantic Comedy (2) Anti Romantic Comedy (3) Middle Comedy (4)
Late Comedy. On the other hand Shakespeare’s tragedies are concerned with the
ruin and restoration of the soul and the life of the men. In other words, it is
subject to struggle of good and evil in the world. Examples of Elizabethan
comedy are– John Lily’s The women in the Moone, Thomas
Dekker’s The Roaring Girl, William Shakespeare’s Twelfth
Night. Examples of Elizabethan tragedies are– Shakespeare’s Antony
and Cleopatra, Thomas Kyd’s The Spanish Tragedy and John
Webster’s The Duchess of Malfi.
Revenge Tragedy or Revenge play is a type of drama which flourished in the
Elizabethan age under the Roman dramatist, Seneca. Its main theme was
revenge for murder. The first example of this type was Thomas Kyd’s The
Spanish Tragedy and the play Hamlet written by Shakespeare.
Shakespeare is different. It has been said that we cannot find the man
Shakespeare through his style because he has a different style for every
character. One of the reasons for Shakespeare’s world-wide appeal is the number
and variety of characters he created. They include persons of all types, who
came from all walks of life– kings, lords, nobles, general and great warriors,
common people, drunkards, thieves, robbers, clown, men, women and children, all
walk across the stage of Shakespeare. In the delineation of character,
Shakespeare stands unrivalled in English Literature.
In fine, we can say that this age was a glorious period. It is like sunrise after a long period of darkness. In the words of Milton “We suddenly see England, a noble and puissant nation, rousing herself like a strong man after sleep and shaking her invincible locks.” It was a glorious in which men of genius like Shakespeare, Spenser, Bacon and Marlowe could make their marks. The Elizabethan literature becomes very pregnant for the impact of Renaissance.
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